Group produced art

In a recent acid logic article I claimed that authorship is dead. By this I meant that the notion of one person being responsible for a piece of art, writing, film etc. was faulty. I’m thinking this might point towards some interesting new ways of creating art.

Let’s consider rock music. The conventional approach is that there’s a band and usually within that band there’s one or two people who do the bulk of the writing. For example, on my two recent albums I am the sole credited writer. But, of course, I am not 100% responsible for every note you hear. There are many improvised solos and parts that I had little to do with (though I do tend to be a “guiding force” when people are laying down their tracks; I approve and reject ideas.)

Now, there’s a lot going for this auteur approach. One person can have a grand vision and make sure the final work matches that vision. But why not have all band members contribute ideas? Why not have dozens if not hundreds of people contribute ideas? (Thus really eliminating the idea of “a band.”)

But how would this work? Let’s say one person presented a template for a piece of music. Something like, “The song will start out slow and sad, then move into an uptempo happy section, then a driving but angry section, then back to an uptempo section then end with a variation of the slow and sad intro.” Perhaps people could contribute submissions for each of these “song parts” and then vote on how they go together. Or maybe they submit contributions to an authoritarian fascist leader (e.g. me) who decides how they go together.

The result may be that no one is completely happy with the work. But that’s kind of my point. The piece is satisfying a different kind of entity, a different kind of intelligence‚Ķ a sort of “group intelligence.” The group would have to have a certain faith that the results are worthwhile and will bring to light interesting musical aspects that are not be available in more conventional “auteur style” writing.

Obviously this idea could be applied to other forms of art – film, visual arts, fiction etc.

Strangely, I’m reminded a bit of the Agetha Christie story where the killer turns out to be a group of people, each who stabbed (I think) the victim once. If one considers murder an art (and I see no reason why one shouldn’t) this may be the first conception of what I’m talking about.

I should also be clear that what I’m describing is probably what a lot of existing art collectives around the world are already doing. But I think I might be shading it a little differently and uniquely.

Finally, I should concede that why this is an interesting idea, it may not be something I would excel at. I am still rather ego driven and seem to be moving towards wanting more control over every aspect of what I create, not less. But maybe I’ll give this a shot.

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